Stephen Papson
Department of Sociology
St. Lawrence University
Canton, NY 13617
315-229-5389
spapson@stlawu.edu
Nike Culture: The Sign of the Swoosh
Sign Wars:  The Cluttered Landscape of Television Advertising
Advertising Montage: the Production of Corporate Myth
Capital's Brandscapes
Website Design: Hypertext Aesthetics and Visual Sociology
Speed: Through, Across, and In—The Landscapes of Capital
Mr. Faust Meets Mr. Bateman: Mapping Postmodernity
The Rhetoric of Rigor: Administrative Incursions into Pedagogy
You Either Get It or You Don't’ Conversion Experiences and the Dr. Phil Show
Landscapes of global capital
Over the past decade the commercials of communication, information technology, and financial corporations have become pervasive. They have migrated from business and news channels to sports and entertainment channels. Unlike commodity advertising this form of discourse functions to legitimate both the practices and visions of these corporations. Pervaded by the ideology of universal humanism, corporate advertising discourse constructs narratives in which technological development mixed with both corporate and personal investment results not only in individual wealth and the fulfillment of personal dreams but also in new economic formations characterized by deterritorialization, instantaneity, global integration, and amoeba-like flexibility. Blending themes of multiculturalism, universal humanism, and personal empowerment, these commercials celebrate undaunted technological progress.

For this project Robert Goldman, Noah Kersey, and I have assembled a data set of 1000 commercials that aired between 1995 and the present. Using this data set we are constructing a website that addresses how Capital constructs itself in advertising discourse. We hope to describe the relation between this system of commodity signs and the emerging global system of production and investment, known as post-Fordism, flexible accumulation, and transnationalism. The website is presently in a state of construction. We are still experimenting with its architecture, video delivery formats, and style; we are constantly expanding and revising the analyses; and our data set continues to grow.

Syllabi
Introduction to Film Studies
Postmodernism: Cinema, Literature and Theory
Theorizing Representation
Sociology of the Spectacle
Semiotics of Advertising
Quest for Self
Land, nation, identity: The Sociology of Australian cinema
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