In this film, a fictitious exchange between Maxim Gorky and Lenin is taking
place. Gorky is disturbed by the severity with which the state is going
after "enemies of the people." Lenin refutes this (thus supporting and
lending credibility to Stalin's position) and convinces Gorky that the
revolutionary fight sometimes requires a stiff hand. Gorky personifies the
collective uneasiness to Stalin's policies while Lenin returns from the grave
to legitimize Stalin's prerogative. Regardless of what Lenin's true feelings
would have been towards Stalin's leadership, a new "reality" is constructed.
This is the essence of Socialist Realism.


In the final frame shown, a factory worker enters to support Lenin's
position. According to the visitor, the working class has been oppressed
for so long, and they are now being attacked from all sides (Socialism in
one nation). It is only reasonable that the people (read: party and state)
ought to act strictly towards saboteurs and other "enemies of the people."
The factory worker empowers Lenin (and therefore Stalin), and creates the
new "reality" of Stalin carrying out "the people's will."
BACK to Stalin's Image in Film.
Jake Fey
x9e0@music.stlawu.edu
RUSS 248A SPTP: Via the WWW to Russia. St. Lawrence University. Project 3
Text -Copyright © 1997. Jake Fey
Revised - May 9, 1997
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